all_wrap_start

rogo
  • The NRF University-Based Institute Support Project
  • The NRF Collaborative Research Grant
  • Contemporary Cinema Studies
  • CineEast
  • News
morebtn

welcome to

Contemporary Cinema Research Institute


The Contemporary Cinema Research Institute at Hanyang University (COCRI) is a university-based research organization which was established in 2005 in order to frame a new academic paradigm for cinema studies in the 21st century, by promoting its multidisciplinary approaches to the Arts and Humanities.
The institute aims to explore the contemporary status of cinema as an aesthetic, industrial, and cultural phenomenon in relation to both the prognosis on that of its future and the rediscovery of that of its past...

Cooperation organization


  • CineEast
  • Contemporary Cinema Studies
표지

The First Call for Papers - Special Issue




Call for Papers


Screening Revolution and Revolutionizing Cinema in East Asia



CineEast is a new academic journal dedicated to critical analysis of East Asian Cinema. We are pleased to announce that we are organizing our first call for papers for this special issue focusing on the intimate relationship developed between cinema and revolution in East Asia. This inaugural special issue aims to question the political and cultural identities of East Asian cinema by examining the continuing interplay of cinema with revolutions that sought political change, such as anti-imperialism, anti-colonialism, civil uprising, political upheaval and democratic movements.

In East Asia, since its inception, the history of cinema has always been a history of revolution in which film was not simple an apparatus for propaganda, but also an institution of resistance and opposition. East Asian countries shared their memories of building and restoring national and cultural identities throughout and between the First and Second World Wars along with military coups, and democratic movements. As the idea of revolution helped to bring about more democracy in East Asia, it also impacted on every aspect of the film industry from the training of filmmakers to the oversight of scripts and control over exhibition including imported films. In this respect, such a narratological thematics of ‘revolution and cinema’ is fundamental to the possibilities of reconstructing a history of East Asian cinema, defining not only a geopolitical, but also de-westernized concepts of East Asian Cinema.

In this spirit, we invite submissions that investigate the fascinating and complicated connections between cinema and revolution in East Asia. We are especially interested in particular East Asian cinematic practices given shape by and through revolutions and those filmmakers who carved out (or still are carving out) a space for resistance and opposition within cinema.

  


 

Possible topics include, but are not limited to:


 Cinema History & Criticism

Capitalism, Socialism, and Neoliberalism

Religious Struggles

Globalization and Diaspora

Dictatorship and Civil Uprising

Military Coup and Democratic Movement

 

 Cinema Theory & Representation

Marxism and Post-Marxism

Anti-Imperialism and Nationalism

Anti-colonialism and Post-colonialism

Propaganda and Ideological Apparatus

Gender Revolution

 

 Cinema Politics & Economics

Revolution and the Film Industry

Legal and Extra-Legal Film Policies

Censorship and State

Film Festivals and New Waves

 

 Cinema Aesthetics & Technology

Documentary, Animation, Experimental Film

Blockbuster and Stardom

Genres and Styles

Digital Moving Image Technology


 

Possible topics include, but are not limited to: All submissions (including a brief biographical note) should be sent by june 30th, 2017 to CineEast (cineeast.journal@gmail.com)